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Jazz religion, the second line, and black New Orleans: after Hurricane Katrina
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Jazz religion, the second line, and black New Orleans: after Hurricane Katrina

Richard Brent Turner
p.XIII
Indiana University Press, New edition
2017

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Abstract

On August 29, 2015, the tenth anniversary of Hurricane Katrina, many black New Orleanians focused on creating their own social spaces in order to experience the African ancestral memory, the communal music, and the healing and resistance arts celebrated in thejazzstreet parades and African diasporist culture from Congo Square to the Lower Ninth Ward—where the levees broke and black people drowned during the flooding of the city. They looked to their forebears, like Louis Armstrong, who had long ago expressed the spirit of solace and the remembrance of the mysteries of life and death that inspired the
African American Studies American Studies Anthropology Environmental Studies Ethnography Ethnology Hurricanes Meteorology Performing Arts Physiology Social Sciences African American culture Social groups Communities Meteorological phenomena American minorities Human societies Population studies Folk religions Human populations Spiritual belief systems Black communities Behavioral sciences Physiological processes Jazz - Religious aspects Jazz - Religious aspects - Voodooism Jazz - Louisiana - New Orleans - History and criticism African Americans - Louisiana - New Orleans - Music - History and criticism

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