Cimnemonics versus Digitime

Garrett Stewart

doi:10.5749/j.ctttsbsc.21

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Book chapter

Cimnemonics versus Digitime

Garrett Stewart

Afterimages of Gilles Deleuze’s Film Philosophy, p.327

University of Minnesota Press, NED - New edition

12/18/2009

DOI: 10.5749/j.ctttsbsc.21

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Abstract

One large question hovering over the Time@20 conference concerned what the advent of the digital might have done to the Deleuzian timeimage. My more specific question is why answers should seem, in the decade since the 1995 centenary of motion pictures, to lie in a certain international drift toward not only a postfilmic image, but a postrealist narrative—varying the conference title, call it Digitime@10. Space permits only a cursory glance at the transatlantic (to say nothing of the Pacific Rim) axis of this trend. On one side, there is the European uncanny of temporal disjunction, ethical coincidence, and erotic

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Cinematography

Cognitive psychology

Communications

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Continental philosophy

Cultural anthropology

Cultural industries

Cultural studies

Digital images

Entertainment industries

Fiction

Film studies

Graphics

Imaging

Industrial sectors

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Motion picture industry

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Narrative plot

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Phenomenology

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Speculative fiction

Temporality

Visual materials

Western philosophy

Details

Title: Subtitle: Cimnemonics versus Digitime
Creators: Garrett Stewart
Contributors: D. N. Rodowick (Editor)
Resource Type: Book chapter
Publication Details: Afterimages of Gilles Deleuze’s Film Philosophy, p.327
Edition: NED - New edition
Publisher: University of Minnesota Press
DOI: 10.5749/j.ctttsbsc.21
Language: English
Date published: 12/18/2009
Academic Unit: Cinematic Arts; English
Record Identifier: 9984398749702771

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