Book chapter
Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities
Electronica, Dance and Club Music, pp.289-305
Routledge, 1
2012
DOI: 10.4324/9781315094588-19
Abstract
In discussing musical categorization, Simon Frith has argued, "popular music genres are constructed—and must be understood—within a commercial/cultural process". This chapter looks at how the ongoing, accelerated process of genre naming speaks volumes about group identity formations within communities associated with electronic/dance music, as well as the political–economic institutions of these music scenes. It focuses on locations where information is traded within electronic/dance music scenes on a widespread scale as well as at the localized level. Specialty record stores that carry electronic/dance music similarly stock a variety of subgenres, although they are often marked by numerous divider cards rather than filed in one mass in the merchandising racks. There is no doubt that some major electronic/dance subgenres—acid-house and jungle, for instance—sound radically different. Therefore, the expanding number of new subgenre names can be understood as a response to the socially recognized stylistic variations within electronic/dance music.
Details
- Title: Subtitle
- Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities
- Creators
- Kembrew McLeod - University of lowa
- Contributors
- Mark J. Butler (Editor)
- Resource Type
- Book chapter
- Publication Details
- Electronica, Dance and Club Music, pp.289-305
- Edition
- 1
- DOI
- 10.4324/9781315094588-19
- Publisher
- Routledge
- Language
- English
- Date published
- 2012
- Academic Unit
- Communication Studies
- Record Identifier
- 9984309643402771
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