A history of Drum Corps International: 2000-2023

The purpose of this thesis is to inform readers about and guide them towards understanding the development of the Drum Corps International (DCI) activity between 2000 and 2023. It succinctly shows the inner workings of the community and allows for much of the information to reach a level of generalized knowledge for the community at large. Specifically, the project recounts many major changes that have occurred in the DCI community since 2000 by documenting relevant landmarks, past and present. Information surrounding DCI’s structure, business practices, competition, rule alterations, show design, and membership are noted in detail. Major components in this research outline a business restructure for DCI in 2008, a more standardized approach to tour, alterations to the ensemble soundscape in terms of electronics, reporting of membership statistics since 2006, a heightening of professionalism to the activity at large, and the vital membership safety protocols researched and established. There is also commentary on their response to COVID-19 and effect on DCI. Prior to these discussions in the 2000s, introductory chapters sketch details of the longer history of DCI that are necessary to understanding present changes. These and other details emphasize the evolution of DCI, precursory information is integral to contextualize what occurred in the twenty-first century thus far.

The findings discussed in this thesis come from a conglomeration of sources, featuring interview prose from highly influential DCI personnel that carry the primary narrative along with additional sources to support claims throughout. These include Dan Acheson, former CEO of DCI (1995-2023), Dan Potter, DCI announcer, Vicki McFarlane, Colts Drum and Bugle Corps Director, Michael Klesch, Carolina Crown Drum and Bugle Corps Brass Arranger, and Richard Hinshaw, Colts Drum and Bugle Corps Drill Designer (formerly associated with the Cavaliers).