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Exploring the influence of character representation in Chinese contemporary television dramas on Chinese viewers' perspectives concerning disabilities
Dissertation   Open access

Exploring the influence of character representation in Chinese contemporary television dramas on Chinese viewers' perspectives concerning disabilities

Kun Zhou
University of Iowa
Doctor of Philosophy (PhD), University of Iowa
Spring 2026
DOI: 10.25820/etd.008381
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Abstract

This study investigates how disability is represented in contemporary Chinese television dramas and how audiences interpret, negotiate, and respond to these portrayals. Focusing on Born to Run (《如果奔跑是我的人生》) and Fantastic Doctors (《非凡医者》), the study applies qualitative content analysis and audience reception research, grounded in cultivation theory and Hall’s encoding/decoding framework, to examine the symbolic, social, and cultural dynamics of disability narratives. The analysis identifies recurring representational patterns in which disabled characters achieve social legitimacy through exceptional abilities, physical attractiveness, or heroic perseverance, while simultaneously reinforcing normative expectations and internalized stigma. Supporting characters and narrative devices often subtly reintroduce traditional stereotypes, revealing how Confucian ideals of mianzi (face) and Taoist notions of balance intersect with global tropes such as the supercrip. An online survey and the analysis of Xiaohongshu posts further show that viewers negotiate these portrayals in nuanced ways. For example, those exposed to the dramas are more likely to recognize structural barriers and systemic ableism, whereas non-viewers tend to interpret disability through deficit-based or individualized lenses. Across both groups, empathy emerges based on immersive engagement with characters’ lived experiences or identification with shared social roles. However, participants frequently express skepticism about the transformative potential of television due to the dramatized and exceptionalized nature of disabled protagonists. Overall, this study contributes to media and disability scholarship by demonstrating the hybridization of global and local cultural codes in disability representation. Specifically, it is the mediating role of audience interpretation, and the incremental rather than linear effects predicted by cultivation theory, underscoring both the potential and the limits of media representation as a site for negotiating stigma and fostering social change.
Ableism Audience reception Chinese television dramas Cultural studies Disability representation Television studies Film, television, and media studies

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