Reaching a new low: creating 10 progressive characteristic studies for tuba-euphonium quartet
Abstract
Details
- Title: Subtitle
- Reaching a new low: creating 10 progressive characteristic studies for tuba-euphonium quartet
- Creators
- Drew Bonner
- Contributors
- John Manning (Advisor)Eric W. Bush (Committee Member)Samuel Young (Committee Member)Nathan Platte (Committee Member)
- Resource Type
- Dissertation
- Degree Awarded
- Doctor of Musical Arts (DMA), University of Iowa
- Degree in
- Music (Brass)
- Date degree season
- Spring 2026
- Publisher
- University of Iowa
- Number of pages
- x, 294 pages
- Copyright
- Copyright 2026 Drew Bonner
- Language
- English
- Date submitted
- 04/28/2026
- Description illustrations
- illustrations (some color), music
- Description bibliographic
- Includes bibliographical references (page 59-62).
- Public Abstract (ETD)
The concept of a tuba-euphonium quartet has been in existence for about 75 years. In that time, there have been hundreds of pieces written for the medium. Many of those pieces were written to exhibit the broad musical possibilities of the instruments. This emphasis on elevating the status of the tuba and euphonium left a void in the repertoire. There is not enough music written for students who are just beginning to play in a tuba-euphonium quartet. This project attempts to reconcile that fact by creating ten new characteristic studies for tuba-euphonium quartet. These studies are pedagogically informed, using the International Tuba Euphonium Association Standard Literature Rating System. They are also stylistically appropriate for beginners.
The studies are broken up into three groups, First Steps, Expanding Skills, and Final Studies. Each study gets progressively more difficult. The First Steps section use a smaller range and simple rhythms. The Expanding Skills section adds difficulty such as faster tempos and more complex rhythms. The Final Studies section expands the range and increases the demand for independent musical phrases from each instrument. Each study receives an in-depth explanation of the compositional elements and how those elements pedagogically address challenges that a beginner might have when approaching this music for the first time. The author concludes that manufacturing simple musical independence is the crux of the compositional process of this project. They also propose that chamber music offers unique challenges that will create interest in music and foster human connections via collaboration. It is the hope of the author that this project will expand the accessibility of the tuba-euphonium quartet and inspire new students to begin playing in one.
- Academic Unit
- School of Music
- Record Identifier
- 9985177073602771