This dissertation brings together personal reflection and creative writing through a two- part project. The first part is an essay that explores the literary genre of the novella—its in- between nature, its brevity, and its intensity—and reflects on how certain texts shaped the writing process of the second part: an original novella titled Vuelos perdidos. The story follows a character who, after an unexpected extension of his trip, finds himself unmoored from the familiar patterns that once guided his life. The setting is Madre de Dios, a region in the Peruvian Amazon deeply marked by the environmental and social impacts of extractive industries. The trip becomes both a physical and emotional journey, prompting the protagonist to revisit a formative friendship from his youth and to confront the deeper forces—personal, social, and historical— that have shaped his path. Together, the essay and the novella offer a meditation on memory, dislocation, and the quiet transformations that occur when we lose our way.