Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009)
Veronica Jordan-Sardi
University of Iowa
Master of Arts (MA), University of Iowa
Spring 2012
DOI: 10.17077/etd.b3fd7p73
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Comparative Literature Denis Haneke neo-colonialism postcolonial self-destruction Sembene
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Title: Subtitle
Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009)
Creators
Veronica Jordan-Sardi - University of Iowa
Contributors
Steven Ungar (Advisor)
Rosemarie Scullion (Committee Member)
Anny D. Curtius (Committee Member)
Resource Type
Thesis
Degree Awarded
Master of Arts (MA), University of Iowa
Degree in
Comparative Literature
Date degree season
Spring 2012
Publisher
University of Iowa
DOI
10.17077/etd.b3fd7p73
Number of pages
iii, 72 pages
Copyright
Copyright 2012 Veronica Jordan-Sardi
Language
English
Description bibliographic
Includes bibliographical references (pages 70-72).
Academic Unit
World Languages, Literatures and Cultures
Record Identifier
9983776818702771
Metrics
2063 File views/ downloads
355 Record Views
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Colonial subjectivity: an evolving legacy in Ousmane Sembène's.pdf