Editor's notes
Abstract
Details
- Title: Subtitle
- Editor's notes
- Creators
- Margaret Yapp
- Contributors
- Sara Langworthy (Advisor)Karen Carcia (Committee Member)Julia Leonard (Committee Member)Nicholas Cladis (Committee Member)
- Resource Type
- Thesis
- Degree Awarded
- Master of Fine Arts (MFA), University of Iowa
- Degree in
- Book Arts
- Date degree season
- Spring 2025
- DOI
- 10.25820/etd.007921
- Publisher
- University of Iowa
- Number of pages
- iv, 19 pages
- Copyright
- Copyright 2025 Margaret Yapp
- Language
- English
- Date submitted
- 04/26/2025
- Description illustrations
- Illustrations
- Description bibliographic
- Includes bibliographical references (pages 17-18).
- Public Abstract (ETD)
We have no actual way of knowing how long humans have been making poetry. The word poetry comes from the Greek word poiesis which means to make. Poetry began as an oral form, spoken or sung. Language is suggestion or gesture, so to utter a word is to make a symbol. Language is a reach, how we reach. Language is not a puzzle but it can be if one wants. Poems are not precious, they’re lived in. A poem shares genetics with music and comedy: breath, a precise level of withholding, all born and inextricable from a body. A poem is a crystalized object and a chipping away. A poem is interior design. A poem is a root of sound. Language is a single continuum of shadow. A poem is a direction. A poem has its own agenda. A poem is a gasp, a grasp. A poem is a call and response relationship with the world.
- Academic Unit
- Center for the Book
- Record Identifier
- 9984830727602771