Remnants is an exploration of the successes or failures of the reactionary structures that are responsible for engaging victims of sexual and domestic abuse. The photographs range from sites of sexual and domestic assault, the sexual assault evidence collection kits survivors endure, to the backlog of rape kits in police evidence rooms, the crime labs in which these kits are tested, and finally the survivors themselves. All of these aspects create a complicated and intimidating maze of steps a survivor may maneuver if they choose to rely on the justice system for assistance. This work does not serve to trigger or create a negative response, but exists as photographic evidence of the reality many face when assaulted.
Remnants
Abstract
Details
- Title: Subtitle
- Remnants
- Creators
- Melissa Grace Kreider - University of Iowa
- Contributors
- Bradley Dicharry (Advisor)Jeffrey Rich (Committee Member)Jim Snitzer (Committee Member)Andrew Casto (Committee Member)
- Resource Type
- Thesis
- Degree Awarded
- Master of Fine Arts (MFA), University of Iowa
- Degree in
- Art
- Date degree season
- Spring 2018
- DOI
- 10.17077/etd.baq54h87
- Publisher
- University of Iowa
- Number of pages
- x, 62 pages
- Copyright
- Copyright © 2018 Melissa Grace Kreider
- Comment
This thesis has been optimized for improved web viewing. If you require the original version, contact the University Archives at the University of Iowa: https://www.lib.uiowa.edu/sc/contact/.
- Language
- English
- Description illustrations
- illustrations (some color)
- Description bibliographic
- Includes bibliographical references (pages 61-62).
- Public Abstract (ETD)
Remnants is an exploration of the successes or failures of the reactionary structures that are responsible for engaging victims of sexual and domestic abuse. The photographs range from sites of sexual and domestic assault, the sexual assault evidence collection kits survivors endure, to the backlog of rape kits in police evidence rooms, the crime labs in which these kits are tested, and finally the survivors themselves. All of these aspects create a complicated and intimidating maze of steps a survivor may maneuver if they choose to rely on the justice system for assistance. This work does not serve to trigger or create a negative response, but exists as photographic evidence of the reality many face when assaulted.
- Academic Unit
- School of Art, Art History, and Design
- Record Identifier
- 9983777280302771