Rhythms of geometry: shaping inclusive spaces for sensory relief

In this thesis, I explore how reimagined furniture—designed through the synthesis of sound, light, and texture with simple geometric forms—can alleviate sensory overload and create transformative, accessible environments for neurodiverse individuals. Grounded in both personal experience and a critical review of artistic and architectural influences—from Ron Arad’s innovative tessellations to Frank Lloyd Wright’s nature-integrated forms and the Bauhaus ethos of Walter Gropius—my research articulates a design philosophy where simplicity and order provide visual and tactile calmness.

My study is organized into two sections. The first draws on recent design theories and established practices in designing for inclusivity to establish a theoretical framework. My focus is sensory overload, and specifically the multifaceted impact (sound, light, and texture) on the individual, and the role of furniture design in mitigating sensory distress. Drawing on art movements such as Cubism and the broader context of neurodivergence, the discussion situates my research within both cultural and social paradigms.

The second section documents my design, prototyping, and fabrication processes of three distinct pieces: Edges Table, a 3D printed geometric side table offering visual serenity; Chair in Perspective, a flatpack chair engineered for tactile simplicity and ease of assembly; and SoundWave, a lounge chair that integrates acoustic elements with soft, calming upholstery. In each project I employ geometric principles, notably triangular forms, to establish structural order while mitigating sensory overload.

In conclusion, this thesis not only presents innovative design solutions for accessible spaces but also contributes to the ongoing discourse on how simple geometric design can organize and harmonize our sensory environments.