- Title: Subtitle
- /genius
- Creators
- K.T. Peterson
- Contributors
- Art Borreca (Advisor)Lisa Schlesinger (Committee Member)Dare Clubb (Committee Member)Megan Gogerty (Committee Member) - University of Iowa, Theatre Arts
- Resource Type
- Thesis
- Degree Awarded
- Master of Fine Arts (MFA), University of Iowa
- Degree in
- Theatre Arts
- Date degree season
- Spring 2020
- Publisher
- University of Iowa
- DOI
- 10.17077/etd.005348
- Number of pages
- viii, 59 pages
- Copyright
- Copyright 2020 K.T. Peterson
- Language
- English
- Description illustrations
- illustrations
- Public Abstract (ETD)
What is genius and who is granted permission to wield it? /genius uses the intersection of three world-famous musical minds—Mozart, Beethoven, and Haydn—to interrogate the meaning of genius, the gendered history of the word, and the fetishizing of “great intellects”. The play begins with the legendary meeting of Mozart and Beethoven in Vienna and unfolds as they explore relationships of love, labor, God, and meaning. The structure of the play operates like a metronome with scenes leaping in the future and back again, keeping time to the tune of the composers’ greatest hits we know and love. The actors performing these roles are not solely “gender-swapped” but purposefully meant to disrupt the status-quo perception of male genius. Male roles are to be performed by anyone but cis-gendered men, women roles by anyone but cis-gendered women. This means queerness is welcomed and encouraged in any role and actors of color in any role as well.
- Academic Unit
- Theatre Arts
- Record Identifier
- 9983949496702771
Thesis
/genius
University of Iowa
Master of Fine Arts (MFA), University of Iowa
Spring 2020
DOI: 10.17077/etd.005348
Abstract
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