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A Musical Note
Journal article   Open access   Peer reviewed

A Musical Note

Steven Ungar
Studies in 20th & 21st Century Literature, Vol.5(2), p.237
01/01/1981
DOI: 10.4148/2334-4415.1108
url
https://doi.org/10.4148/2334-4415.1108View
Published (Version of record) Open Access

Abstract

Frequent references to musical terms in Barthes's writings since 1970 suggest a progression beyond a standard semiological inquiry. A text on the «grain» of the voice, another on música practica, and a third on Romantic song develop a model of figuration Barthes explores actively in the Fragments d'un discours amoureux (A Lover's Discourse) and La Chambre claire.

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