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Conservative Modernity: The Self-Making of the Modern Colonial Woman in Cornelia Sorabji's India Calling
Journal article   Peer reviewed

Conservative Modernity: The Self-Making of the Modern Colonial Woman in Cornelia Sorabji's India Calling

Anwesha Kundu
Modern fiction studies, Vol.70(4), pp.583-608
12/01/2024
DOI: 10.1353/mfs.2024.a950444

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Abstract

Through a reading of Cornelia Sorabji's autobiography India Calling, this essay argues that the modern Indian colonial woman was a paradoxical and conservative figure. I examine Sorabji's employment of Western genres of women's autobiography and harem literature, which produces hierarchic intimacies between traditional womanhood and the exceptional category of the modern colonial woman. Reconstructing her contradictory allegiances to Indian women and British audiences, I draw attention to the resultant impossibility of creating a coherent self. Her failures at self-construction, I argue, prove that to be modern as a colonial woman is to keep modernity from others.
Attorneys Autobiographical literature Autobiographies Careers Colonialism Middle class Misogyny Modernity Patriarchy Women

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