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Context effects on musical chord categorization: Different forms of top-down feedback in speech and music?
Journal article   Open access

Context effects on musical chord categorization: Different forms of top-down feedback in speech and music?

Bob McMurray, Joel L Dennhardt and Andrew Struck-Marcell
Cognitive science, Vol.32(5), pp.893-920
07/2008
DOI: 10.1080/03640210802222021
PMCID: PMC3073321
PMID: 21490878
url
https://doi.org/10.1080/03640210802222021View
Published (Version of record) Open Access

Abstract

A critical issue in perception is the manner in which top-down expectancies guide lower-level perceptual processes. In speech, a common paradigm is to construct continua ranging between two phonetic endpoints and to determine how higher level lexical context influences the perceived boundary. We applied this approach to music, presenting subjects with major/minor triad continua after brief musical contexts. Two experiments yielded results that differed from classic results in speech perception. In speech, context generally expands the category of the expected stimuli. We found the opposite in music: the major/minor boundary shifted toward the expected category, contracting it. Together, these experiments support the hypothesis that musical expectancy can feed back to affect lower-level perceptual processes. However, it may do so in a way that differs fundamentally from what has been seen in other domains.
Interactive Activation Feedback Triad Identification Context Effects Music Perception Speech Perception Perceptual Categorization

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