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Disorientation as Critical Practice: Confronting Anti-Black Perceptual Regimes and Activating the Otherwise in mayfield brooks's Improvising While Black Pedagogy
Journal article   Open access   Peer reviewed

Disorientation as Critical Practice: Confronting Anti-Black Perceptual Regimes and Activating the Otherwise in mayfield brooks's Improvising While Black Pedagogy

Zena Bibler
Dance research journal, Vol.54(1), pp.30-49
04/01/2022
DOI: 10.1017/S0149767722000055
url
https://doi.org/10.1017/S0149767722000055View
Published (Version of record) Open Access

Abstract

This article examines how mayfield brooks uses spatial, discursive, and vestibular disorientations to intervene within anti-Black regimes of perception in their Improvising While Black (IWB) workshops, which draw from their ongoing life/art project by the same name. Drawing from insights gathered through my participation in IWB workshops as well as through conversations with brooks and other workshop participants, I examine what brooks's guided disorientations do, that is, what they produce kinetically, perceptually, and relationally among participants. I show how brooks's disorientations expand on Sachi Sekimoto and Christopher Brown's conceptualization of racialized regimes of perception by revealing a set of choreographic tropes that undergird those regimes. These include perceiving from a vertical posture, leading movement from the head, navigating based on visual cues while inhibiting responsivity to other senses, turning away from cultural and ancestral context, and relating to self and others as individuals. Drawing on examinations of disorientation within contemporary dance practice and critical race theory, I argue that brooks guides participants into disorienting improvisations that draw attention to, refuse participation within, and generate otherwise possibilities to this choreography.
anti-Blackness disorientation falling improvisation otherwise possibilities regime of perception sensitization somatics witnessing

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