Journal article
Documentary games for social change: Recasting violence in the latest generation of i-docs
Catalan journal of communication & cultural studies, Vol.12(2), pp.287-299
10/01/2020
DOI: 10.1386/cjcs_00033_1
Abstract
The evolutionary trajectory of digital journalism has been fuelled by the convergence of visual storytelling unique to documentary filmmaking with the graphics and procedural rhetoric of digital games. The reciprocal influences between gaming and documentary forms coalesce in this new highly engaging interactive journalism. This research demonstrates how game mechanics, design and logics combine with cinematic storytelling conventions in documentary games published since 2014. As forms of civic engagement more intimate and immersive than traditional print and broadcast journalism, documentary games leverage alternative depictions of violence for social critique. Case studies examine products of independent developers including the documentary games We Are Chicago by Culture Shock Games and iNK Stories' 1979 Revolution: Black Friday along with its related verite virtual reality experience, Blindfold. These cases represent major advances in the activist depiction of oppressed populations in narrative documentary journalism. All these projects feature atypical video game protagonists anathema to those of mainstream games.
Details
- Title: Subtitle
- Documentary games for social change: Recasting violence in the latest generation of i-docs
- Creators
- David O. Dowling - University of Iowa
- Resource Type
- Journal article
- Publication Details
- Catalan journal of communication & cultural studies, Vol.12(2), pp.287-299
- Publisher
- Intellect Ltd
- DOI
- 10.1386/cjcs_00033_1
- ISSN
- 1757-1898
- eISSN
- 1757-1901
- Number of pages
- 13
- Language
- English
- Date published
- 10/01/2020
- Academic Unit
- Journalism and Mass Communication
- Record Identifier
- 9984307651802771
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