Journal article
Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage
Theatre research international, Vol.45(3), pp.264-280
10/01/2020
DOI: 10.1017/S0307883320000267
Abstract
Mei Lanfang's contact with Stanislavsky during his 1935 tour in the Soviet Union and the latter's often-cited 'appraisal' of the acting of traditional Chinese theatre have exerted a profound and lasting influence on the Chinese understanding and evaluation of the art of their traditional theatre. Through extensive research into the related archival material, as well as contemporary records, this article investigates the historical facts and circumstances that underlie this historic intercultural moment on the twentieth-century international stage. It unweaves the historical construction of this remarkable intercultural phenomenon and exposes its political and ideological underpinnings as well as its theatrical and artistic placements and displacements. It underscores the necessity of deconstructing the creation of such an intercultural myth for today's historical understanding of the art of traditional Chinese theatre and, by implication, in a larger context, of the global making of twentieth-century intercultural theatre.
Details
- Title: Subtitle
- Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage
- Creators
- Min Tian - University of Iowa, Center for Asian and Pacific Studies
- Resource Type
- Journal article
- Publication Details
- Theatre research international, Vol.45(3), pp.264-280
- DOI
- 10.1017/S0307883320000267
- ISSN
- 0307-8833
- eISSN
- 1474-0672
- Publisher
- Cambridge Univ Press
- Number of pages
- 17
- Language
- English
- Date published
- 10/01/2020
- Academic Unit
- Humanities and Social Sciences/Scholarly Impact
- Record Identifier
- 9984558455302771
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