Journal article
Practical Science in the Studio, Part 3: "High-Tech" Strategies
Journal of singing, Vol.77(5), pp.633-643
05/01/2021
Abstract
Sound is conducted, often at very high intensity levels, through our bones and through the air to our ears;1 vibrations in the chest, head, and throat give us proprioceptive feedback,2 and other physical systems, such as heart rate and blood pressure,3 can be affected. A number of different types of vibrato exist, but by far the most obvious ones are frequency and amplitude vibrato.7 A very important skill for voice teachers to possess is the ability to clearly detect changes in individual aspects of vibrato within the totality of a singer's sound, as vibrato can be a bellwether of subtle (and not so subtle) aspects of voice production.8 Fortunately, through the use of voice synthesizer programs, one can control and vary some of these aspects quite independently from each other, and thus learn how to listen in a very discriminating fashion. [...]play pairs of notes where there is no change between the pairs in either characteristic, a change in one, or a change in both simultaneously. [...]try adjusting vowel, rate, and extent simultaneously.
Details
- Title: Subtitle
- Practical Science in the Studio, Part 3: "High-Tech" Strategies
- Creators
- David MeyerJohn NixDavid Okerlund
- Resource Type
- Journal article
- Publication Details
- Journal of singing, Vol.77(5), pp.633-643
- Publisher
- National Association of Teachers of Singing
- ISSN
- 1086-7732
- eISSN
- 2769-4046
- Language
- English
- Date published
- 05/01/2021
- Academic Unit
- School of Music
- Record Identifier
- 9984696847102771
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