Journal article
TOWARD AN OPEN SOURCE POETICS: APPROPRIATION, COLLABORATION, AND THE COMMONS
Criticism (Detroit), Vol.53(3), pp.407-438
06/22/2011
DOI: 10.1353/crt.2011.0025
Abstract
If the ubiquitous myth of the solitary author obfuscates the social production of literature, then, in the case of twenty-first-century experimental writing, it also conceals a deliberate political project informing both social practice and compositional practice: that is, an open source poetics advances in defense of a shared cultural commons.\n67 Scholars of copyright and the commons frequently remind their readers that a robust public domain can symbiotically coexist with competitive markets: that is, a healthy public domain constitutes the basic resources needed to reinvigorate market economies. [...] writers and artists are becoming more collaborative and interdisciplinary, drawing on the general and specialized skills of archivists, programmers, academics, and community organizers.
Details
- Title: Subtitle
- TOWARD AN OPEN SOURCE POETICS: APPROPRIATION, COLLABORATION, AND THE COMMONS
- Creators
- Stephen Voyce
- Resource Type
- Journal article
- Publication Details
- Criticism (Detroit), Vol.53(3), pp.407-438
- Publisher
- Wayne State University Press
- DOI
- 10.1353/crt.2011.0025
- ISSN
- 0011-1589
- eISSN
- 1536-0342
- Language
- English
- Date published
- 06/22/2011
- Academic Unit
- English; Interdisciplinary Studies Program
- Record Identifier
- 9984398051502771
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