The FlemIngo Stance on Marking

Rachelle Fleming; Ingo Titze; Renée Fleming

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Journal article

Peer reviewed

The FlemIngo Stance on Marking

Rachelle Fleming, Ingo Titze and Renée Fleming

Journal of singing, Vol.73(5), p.527

05/01/2017

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Abstract

The techniques of marking can broadly be cast into several categories: (1) singing with reduced loudness; (2)singing within a reduced pitch range (taking octaves up or down on extreme pitches); (3)singing in a lighter registration; (4)singing only portions of the piece, keeping silent on less important parts; (5)speaking or whispering some or all of the piece; (6)mouthing and gesturing (acting) without any vocalization.

Grammy awards

Musical performances

Physiology

Rehearsals

Singers

Singing

Speaking

Details

Title: Subtitle: The FlemIngo Stance on Marking
Creators: Rachelle Fleming
Ingo Titze
Renée Fleming
Resource Type: Journal article
Publication Details: Journal of singing, Vol.73(5), p.527
Publisher: National Association of Teachers of Singing
ISSN: 1086-7732
Language: English
Date published: 05/01/2017
Academic Unit: School of Music; Communication Sciences and Disorders
Record Identifier: 9984719733202771

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