"These Spectacles Are Never Forgotten": Memory and Reception in Colette's Film Criticism

Paula Amad

doi:10.1215/02705346-20-2_59-119

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"These Spectacles Are Never Forgotten": Memory and Reception in Colette's Film Criticism

Journal article

Peer reviewed

"These Spectacles Are Never Forgotten": Memory and Reception in Colette's Film Criticism

Paula Amad

Camera obscura (Durham, NC), Vol.20(2), pp.119-163

2005

DOI: 10.1215/02705346-20-2_59-119

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Abstract

is assistant professor in the Department of Cinema and Comparative Literature at the University of Iowa. She is currently working on a book about early cinema, (Columbia University Press, forthcoming).

Feminist Theory

Gender and Sexuality

Media Studies

Theory and Philosophy

Details

Title: Subtitle: "These Spectacles Are Never Forgotten": Memory and Reception in Colette's Film Criticism
Creators: Paula Amad
Resource Type: Journal article
Publication Details: Camera obscura (Durham, NC), Vol.20(2), pp.119-163
Publisher: Duke University Press
DOI: 10.1215/02705346-20-2_59-119
ISSN: 0270-5346
eISSN: 1529-1510
Language: English
Date published: 2005
Academic Unit: Cinematic Arts
Record Identifier: 9984399486302771

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