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Training the Electronic (Microphone) Singer
Journal article   Peer reviewed

Training the Electronic (Microphone) Singer

Ingo Titze
Journal of singing, Vol.71(5), pp.601-602
05/01/2015

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Abstract

Titze notes that the requirements for operatic singing, which was developed for unamplified voice in large halls, are quite different from the requirements for pop singing, which is usually electronically amplified. He examines the specialized training that should be given to every singer of popular music.
Acoustics Microphones Singers Training

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