Journal article
Why Do Close Harmonies and Dissonances Sound Rougher at Low Pitches than High Pitches?
Journal of singing, Vol.73(4), pp.411-412
03/01/2017
Abstract
In ensemble singing or instrument playing close harmony or dissonance is perceived to contain more roughness and more pitch uncertainty at low pitches than at high pitches. A tendency might be to assign this to errors in production, but it entirely a perceptual phenomenon.
Details
- Title: Subtitle
- Why Do Close Harmonies and Dissonances Sound Rougher at Low Pitches than High Pitches?
- Creators
- Ingo Titze
- Resource Type
- Journal article
- Publication Details
- Journal of singing, Vol.73(4), pp.411-412
- Publisher
- National Association of Teachers of Singing, Inc
- ISSN
- 1086-7732
- eISSN
- 2769-4046
- Number of pages
- 2
- Language
- English
- Date published
- 03/01/2017
- Academic Unit
- School of Music; Communication Sciences and Disorders
- Record Identifier
- 9984719562402771
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